Classical Sonatas for Two Cellos, Volume 1

Yuriy Leonovich

In cart Not available Out of stock
0:00/???
  1. 1
    In cart Not available Out of stock
    0:00/3:16
  2. 2
    In cart Not available Out of stock
    0:00/4:06
  3. 3
    In cart Not available Out of stock
    0:00/4:17
  4. 4
    In cart Not available Out of stock
    0:00/2:21
  5. 5
    In cart Not available Out of stock
    0:00/3:25
  6. 6
    In cart Not available Out of stock
    0:00/3:30
  7. 7
    In cart Not available Out of stock
    0:00/3:25
  8. 8
    In cart Not available Out of stock
    0:00/4:19
  9. 9
    0:00/4:07
  10. 10
    In cart Not available Out of stock
    0:00/3:41
  11. 11
    In cart Not available Out of stock
    0:00/1:59
  12. 12
    0:00/3:53
  13. 13
    In cart Not available Out of stock
    0:00/3:23
  14. 14
    In cart Not available Out of stock
    0:00/3:59
  15. 15
    In cart Not available Out of stock
    0:00/3:37
  16. 16
    In cart Not available Out of stock
    0:00/4:04
  17. 17
    In cart Not available Out of stock
    0:00/3:13

Yagling - Suite No. 1 (1982)

Yuriy Leonovich

Recorded live on October 4, 2019 at the Well-Spring Retirement Community Theatre, the home of the North Carolina Chamber Orchestra. Published by Fennica Gehrman. Printed music is available at https://webshop.fennicagehrman.fi/page/product/suite-for-violoncello-solo-no-1/121542

Read more…

Popper and Shostakovich

Yuriy Leonovich and Jessica Elliott

Yuriy Leonovich, cello Jessica Elliott, piano

October 24, 2020 recorded live in War Memorial Chapel, Greenville, SC

Mics: AEA R84a on cello Schoeps MK4 pair on piano

Read more…

Fein - Friday Night Fortune

Yuriy Leonovich

These three short pieces were composed at the request of Fein’s friend, Catherine Clyatt Schroth, who premiered them on January 27, 2007. The titles of the movements were conceived after the composition of the movements. The jazz influences seemed to suggest that these pieces might be “about something.” Fein invented a little narrative in three

These three short pieces were composed at the request of Fein’s friend, Catherine Clyatt Schroth, who premiered them on January 27, 2007. The titles of the movements were conceived after the composition of the movements. The jazz influences seemed to suggest that these pieces might be “about something.” Fein invented a little narrative in three parts. In the first movement, “Stepping Out,” we feel the anticipation and excitement about going out to a party on a Friday night. “Aside” depicts the lull of the evening – that moment when melancholy temporarily sets in. “Dancing till Dawn” represents a new surge of energy, not entirely in control.

Read more…