At some point, I realized that I have a whole category of arrangements that are not just “put the melody in the cello and call it a day.”

I do plenty of that too, and sometimes that is exactly what…

The real story is not death. It is a fork.

One way to see musical change more clearly is to stop thinking only in large labels like Baroque, Classical, Romantic, Modern, jazz, rock, or pop. Those labels are useful, but…

I don’t know why this doesn’t exist yet, but someone needs to make a prestige biopic about the appraisers from Antiques Roadshow.

Not the antiques. The appraisers.

The people who sit in a convention center, under fluorescent lights, surrounded…

I recently watched a video discussing ten extraordinary historic piano transcriptions. It ranged from Myra Hess’s luminous arrangement of Bach’s Jesu, Joy of Man’s Desiring to the nearly superhuman virtuosity of Cziffra playing Flight of the Bumblebee, and finally…

Gaspar Cassadó’s Rapsodia del Sur is one of the pieces that makes me wonder why his original music is still so rarely discussed.

It is a substantial recital work: over ten minutes long, 312 measures, and built in several clearly…

Recently I came across a paper I wrote sixteen years ago, during the second year of my doctoral studies. The topic was Dmitri Shostakovich and the political pressures surrounding his symphonic works in the Soviet Union. At the time, it…

When I was about twenty-one, I had an experience with a Bernard Fendt cello that I’ve never entirely forgotten.

At the time, my teacher was helping a middleman broker sell instruments. As I remember it, the story was that the…

Again and again, when a new student begins lessons, I hear some version of the same sentence from parents: “We are not looking for our child to major in music.”

My response, at least inwardly, is always the same: your…

As we plan a program and prepare to walk on stage, our primary responsibility is to serve our audience. A musician without an audience is like a restaurant without customers.

If you have spoken with me for any length of…

Cello ensembles sometimes feel like a modern invention. In recent decades they have become common in conservatories, summer festivals, and professional touring groups. Thousands of arrangements and original works now exist for groups of cellos, ranging from Renaissance transcriptions to…

I recently began preparing a new edition of the B-flat Cello Concerto usually attributed to Michael Haydn. I now have an almost publishable score with critical notes, prepared directly from the surviving manuscript parts.

After studying the source closely, I…

We often speak about “popular music,” “folk music,” and “classical music” as though they belong to completely separate worlds. In reality, the boundaries between them have never been stable. Throughout history, composers have continually drawn on dance traditions, folk materials…