As we plan a program and prepare to walk on stage, our primary responsibility is to serve our audience. A musician without an audience is like a restaurant without customers.

If you have spoken with me for any length of…

Cello ensembles sometimes feel like a modern invention. In recent decades they have become common in conservatories, summer festivals, and professional touring groups. Thousands of arrangements and original works now exist for groups of cellos, ranging from Renaissance transcriptions to…

I recently began preparing a new edition of the B-flat Cello Concerto usually attributed to Michael Haydn. I now have an almost publishable score with critical notes, prepared directly from the surviving manuscript parts.

After studying the source closely, I…

We often speak about “popular music,” “folk music,” and “classical music” as though they belong to completely separate worlds. In reality, the boundaries between them have never been stable. Throughout history, composers have continually drawn on dance traditions, folk materials…

When I was eighteen, I decided to major in cello.

I knew I wanted to be a commuting student, so I chose Wayne State University. I was excited to study with a teacher there and eager to begin what felt…

My first introduction to Servais was an old copy of Souvenir de Spa that I bought when I was around eighteen, I believe at an estate sale.

It is the Peters edition, no. 2236, plate 8345, edited by Friedrich Grützmacher…

Ukraine’s musical heritage offers a rich source of inspiration for performers, composers, and arrangers. For cellists in particular, this repertoire remains surprisingly underexplored. Folk melodies, lyrical salon pieces, sacred chant traditions, and late Romantic compositions from the region all adapt…

The cello world has no shortage of great players.

That is not the problem.

The level of playing today is astonishing. Young cellists can play pieces that would have terrified entire studios a few generations ago. Competitions are full of…

Over the past decade, I’ve noticed a steady increase in pedagogical content circulating in online cello communities. Videos, short lessons, practice tips, technique demonstrations, and teaching philosophies appear daily across platforms. Much of this material is thoughtful, widely shared, and…

Over time, I have noticed how easily we encourage one another to think of jobs as interchangeable, especially when looking from the outside.

Someone loses a position and immediately hears a familiar refrain: Why not just do something adjacent? Surely…

Early in our careers, it is natural to think, “If I were in charge, I would do things differently.”

A first-year music major may feel ready for a major audition. A new faculty member may feel confident about how they…

From time to time, while editing old scores or preparing repertoire from the nineteenth century, I find myself wondering what the great cellists of the past might say if they could address players today.

We often encounter them only through…