Mysliveček - Cello Concerto in C major (Urtext, Solo Part and Piano Score)
  • Mysliveček - Cello Concerto in C major (Urtext, Solo Part and Piano Score)
  • Mysliveček - Cello Concerto in C major (Urtext, Solo Part and Piano Score)
  • Mysliveček - Cello Concerto in C major (Urtext, Solo Part and Piano Score)
  • Mysliveček - Cello Concerto in C major (Urtext, Solo Part and Piano Score)
  • Mysliveček - Cello Concerto in C major (Urtext, Solo Part and Piano Score)

Mysliveček - Cello Concerto in C major (Urtext, Solo Part and Piano Score)

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During his relatively short life, Josef Mysliveček (1737–1781) produced a large volume of compositions, including over 50 symphonies, 26 operas, concertos, and chamber music for strings and winds. Born in Prague, he moved to Italy, where he became known as "Il Boemo" (the Bohemian), in 1763. While much of Mysliveček's output is in the style of the

During his relatively short life, Josef Mysliveček (1737–1781) produced a large volume of compositions, including over 50 symphonies, 26 operas, concertos, and chamber music for strings and winds.​ Born in Prague, he moved to Italy, where he became known as "Il Boemo" (the Bohemian), in 1763. While much of Mysliveček's output is in the style of the day, some of his chamber works still employ a basso continuo and figured bass, such as in the sonatas for two cellos and the six Orchestra trios for two violins and cello.

Mysliveček composed ten violin concertos, a couple of keyboard concertos, and a flute concerto. He transcribed one of the violin concertos (EvaM 9b: C1) for cello. The cello concerto exists in three different copies: Gesellschaft der Musikfreunde (Vienna), Národní Muzeum (Prague), and Národní knihovna České republiky (Prague). Our edition is based with kind permission on the set housed at the Gesellschaft der Musikfreunde. While undated, it is safe to place the copy before 1820. The solo cello part is notated in four clefs: bass, tenor, alto, and soprano. This is congruent with the practice of the time, as we also see these clefs in Haydn's Cello Concerto in C major, Boccherini's works, some of Bréval's works, and others. The use of clefs has been updated for current practice in our edition. Our edition also includes a newly composed piano reduction. All deviations from the source are marked in the footnotes of the orchestra score.

This set contains a piano reduction and a solo part (with and without fingerings/bowings). The solo part without fingerings/bowings is Urtext.

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