Servais - Fantaisie et Variations brillantes sur la Valse de Schubert intitulée le Désir, Op. 4 (Urtext Edition, Quintet Version)
  • Servais - Fantaisie et Variations brillantes sur la Valse de Schubert intitulée le Désir, Op. 4 (Urtext Edition, Quintet Version)
  • Servais - Fantaisie et Variations brillantes sur la Valse de Schubert intitulée le Désir, Op. 4 (Urtext Edition, Quintet Version)
  • Servais - Fantaisie et Variations brillantes sur la Valse de Schubert intitulée le Désir, Op. 4 (Urtext Edition, Quintet Version)

Servais - Fantaisie et Variations brillantes sur la Valse de Schubert intitulée le Désir, Op. 4 (Urtext Edition, Quintet Version)

In cart Not available Out of stock
$19.99

Fantaisie et Variations brillantes sur la Valse de Schubert intitulée le Désir began its life as “Hommage à Beethoven.” Although the waltz was rightly published under Franz Schubert’s name by Diabelli ca. 1822 as “Trauer oder Sehnsuchts Waltzer,” it was misattributed by another publisher as being by Beethoven. After this misattribution, the waltz

Fantaisie et Variations brillantes sur la Valse de Schubert intitulée le Désir began its life as “Hommage à Beethoven.” Although the waltz was rightly published under Franz Schubert’s name by Diabelli ca. 1822 as “Trauer oder Sehnsuchts Waltzer,” it was misattributed by another publisher as being by Beethoven. After this misattribution, the waltz became known as being by Beethoven. Carl Czerny’s ca. 1821 variations on this theme are simply known as “Variationen über einen beliebten Wiener-Walzer.” Friedrich Kummer still attributes his variations to be on a theme by Beethoven in 1835, but by 1844 Servais had renamed his “Hommage” to a “Fantaisie” on the theme by Schubert. However, Servais left “Le Désir” as the subtitle of the waltz instead of the original “Trauerwalzer” or “Sehnsuchtwalzer.”

Our edition is based on the first edition published by Schott in 1844. We consulted both the published orchestral version as well as the manuscript for this edition. The manuscript differs too much to be considered a source for our edition, however, it demonstrates how the work was heard by its early audiences. The sources were graciously provided by the Servais Society.

The solo part is included in this set.

Read more…